The Bachelor got cancelled... what does it say about us?: The Story
Three days before the roses
On Thursday, March 19, 2026, ABC cancelled The Bachelorette Season 22 — three days before it was supposed to premiere. The network had already spent months promoting Taylor Frankie Paul, the Utah influencer and Secret Lives of Mormon Wives star, as its lead. One finished episode sat in the can. Three more were being edited. A post-production staff was about to be laid off. Airlines and hotels had paid for product placement that would never air.
The trigger was a TMZ video from 2023 showing Paul throwing metal barstools at her ex-boyfriend Dakota Mortensen while a child was present. She had already pleaded guilty to aggravated assault. ABC knew about the arrest. The network’s own vetting process — hours of psychological evaluation, behavioral assessments, detailed interviews about personal history — had cleared her anyway.
The bet that broke
This was not the franchise’s first scandal. Chris Harrison was fired for defending a contestant’s attendance at an antebellum-themed party. Contestant Jen Shah went to prison for fraud. Devin Strader had a restraining order in his past. The franchise absorbed all of it. Ratings fell — Grant Ellis’s season lost nearly a million viewers — but the show kept airing.
Paul was a different kind of casting: a deliberate bet that controversy would reverse the decline. She brought a built-in audience, a social media following, and the specific kind of notoriety that drives tune-in. The network wasn’t blindsided by her past. It was banking on it. The video simply made the bet uncollectible.
Where it sticks
The fault line isn’t really about Paul. It’s about what a twenty-four-year-old franchise reveals when it starts making desperate moves. The spectacle realists see a machine doing exactly what machines do when revenue declines — escalating the stimulus. The duty of care advocates see a woman whose documented violence was repackaged as television. The franchise faithful remember when the show produced actual marriages and want to know what went wrong. And the cultural diagnosticians think the cancellation tells us less about ABC than about the audience that consumed twenty-three seasons of manufactured romantic dysfunction and only drew the line at physical evidence.
The crux is empirical: did we stop watching because we grew up, or because the algorithm found something louder?
Perspectives:
- Spectacle realists
- Duty of care advocates
- Franchise faithful
- Cultural diagnosticians